High Definition and High Resolution Motion Imaging

Developing concepts on a new medium

Sunday, 27 July 2014

Cognitive Capitalism and Cognitive Aesthetics

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The first thing one has to ask when confronted with the tenants of cognitive capitalism is: can any amount of theorizing be useful whe...
Saturday, 12 July 2014

Musings on the Nature of Attention, Images and the Advent of the Digital

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THE BLACK WHOLE Images are how we tell eachother what’s inside of us. Like a dream the ima...
Saturday, 17 May 2014

Bendy Futures

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There are a series of posts you can access by me for 2014 here: http://www.cmiresearch.org.uk/blog If bendy display materials now a...
Thursday, 2 January 2014

High Definition in 2014

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2013 was an eventful year, not only in terms of the way moving image capture has developed, but also in terms of opening a new research cent...
Tuesday, 30 July 2013

The Contemporary Paradigm and Cognitive Neuroscience

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Hi - sorry for the delay in writing. You know how it is: you have the best of intentions but things come up. So I gave a lecture in Oz  on t...
Wednesday, 12 June 2013

Understanding the Digital Realm - On coming to ISEA 2013

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Duchamp must be laughing in his grave as we go forward towards the future, as we appear to be walking backwards staring into the past. Ducha...
Sunday, 10 February 2013

The Ontology of Digital Cinematography

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I’ve been reading reports in Senses of Cinema* on recent international film festivals and came upon this comment on the film Le...
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About Me

Terry Flaxton
Wells, Somerset, United Kingdom
I've been an a writer, an editor, a director, a producer, but mainly a Director of Photography and Artist... I suppose I grew up believing in the idea of the Renaissance man, a polymath who used all areas of knowledge to inform the common sense, mind.
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